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The mid- to late-1970s included songs "Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition "Feels So Good" by flugelhorn player Chuck Mangione, in 1978, "What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion group Spyro Gyra's instrumental "Morning Dance", released in ...
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin
Grover Washington Jr. (December 12, 1943 – December 17, 1999) [1] [2] was an American jazz-funk and soul-jazz saxophonist and Grammy Award winner. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders and legends of the smooth jazz genre. [3] He wrote some of his material and later became an arranger ...
Jeff Kashiwa was born in 1963 in Louisville, Kentucky but moved to Seattle, Washington as a young child. He credits the public school's music program for inspiring his interest in music, [1] along with his father, who died in 1992, who was a fan of jazz music including Benny Goodman and Glenn Miller.
Born in Hagerstown, Maryland, he graduated from the University of Miami School of Music in 1984. [1] Grove did not record his first solo album until 2000. Prior to that, he had replaced Richard Elliot in the Tower of Power when Elliot decided to pursue a solo career; he also did session work with various pop acts, most noticeably the Miami girl group Exposé.
James turned from smooth jazz to classical music to record Rameau (1984), his interpretations of Baroque-period composer Jean-Philippe Rameau. [10] In later albums, he interpreted the work of two more Baroque composers, J. S. Bach and Domenico Scarlatti. A year after Rameau, he collaborated with David Sanborn on Double Vision (Warner Bros, 1986).
A pivotal moment in his life came when he made the decision to become a professional jazz musician. In high school, Najee began to study jazz as a student at the Jazzmobile program (co-founded by Dr. Billy Taylor) where he honed his skills on tenor saxophone and flute under the direction of Jimmy Heath, Frank Foster and Ernie Wilkins.
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