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The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped ...
At the time, musical instruments and accessories were primarily hand made, and professional musicians found it necessary to acquire skills allowing them to make their own accessories and repair and modify their own instruments. Establishing Henri Selmer & Cie. in 1885, Henri began making clarinet reeds and mouthpieces. [5]
Grande symphonie de salon No. 2 for flute, oboe, clarinet, bassoon, horn, string quartet and double bass (c. 1827) Diecetto for flute, oboe, clarinet, bassoon, horn, string quartet and double bass in A major (c. 1827-8) (possibly one of the Grande symphonies de salon) Quintet [No. 4] for flute, clarinet, bassoon, horn and viola in E-flat major
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
Op. 69 – also the Op. no. of a quartet for clarinet, violin, viola and cello in E ♭ (written about 1808) (published in Bonn: Simrock, also about 1808) [19] Op. 70 – sinfonia concertante for violin, flute, clarinet and orchestra in E ♭ Op. 70 also – string quintet in E ♭ (2 violins, 2 violas, cello) [19] [7] Op. 71 – partita for ...
Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length. Commercial reeds vary in hardness and design, and single-reed players try different reeds to find those that suit their mouthpiece, embouchure, and playing style. Mouthpiece design has a profound impact on tone. [10]
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