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Magnification is the nineteenth studio album by the English progressive rock band Yes, released on 10 September 2001 by Eagle Records.It is their only album recorded both as a four-piece band and without a keyboardist (though drummer Alan White plays piano on select tracks), and their last album to feature founding member and lead vocalist Jon Anderson.
The Irish rock band U2 wrote and recorded the song "God Part II" as an answer song to Lennon's "God". Included in U2's 1988 album Rattle and Hum, "God Part II" reprises the "don't believe in" motif from Lennon's song and its lyrics explicitly reference Lennon's 1970 song "Instant Karma!" and American biographer Albert Goldman, author of the controversial book The Lives of John Lennon (1988).
YouTube reached a deal with performing rights organization SESAC on new licensing terms, which will restore music videos for artists that went dark on the platform over the weekend. Songs by Adele ...
Some songs were written to provoke, while others have fallen foul of misinterpretation. Lizzy Cooney picks some of the most infamous cases of musical censorship ‘Why, why, why?’ – 9 famous ...
[2] [3] Many remastered CDs from the late 1990s onwards have been affected by the "loudness war", where the average volume of the recording is increased and dynamic range is compressed at the expense of clarity, making the remastered version sound louder at regular listening volume and more distorted than an uncompressed version.
Davison took an active approach with the songwriting, travelling to the homes of the other band members to collaborate on songs. Yes enlisted producer Roy Thomas Baker (who had previously worked with the band during recording sessions in 1979) and future Yes bassist Billy Sherwood to complete the mixing. [3] Heaven & Earth received mixed reviews.
Swift released the original version of 1989, titled after her birth year, in 2014.One year later, she dropped a remixed version of “Bad Blood,” which featured a special duet with Lamar, now 36
He had originally worked on the music and lyrics with singer-songwriter Stevie Nicks and was close to recording it with her, but White heard the song and suggested Yes record it for Big Generator. [23] Rabin was a fan of the song's title lyric, and particularly enjoyed conducting the orchestral arrangement at the beginning.