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Max Ernst's life and career are examined in Peter Schamoni's 1991 documentary Max Ernst. Dedicated to the art historian Werner Spies, it was assembled from interviews with Ernst, stills of his paintings and sculptures, and the memoirs of his wife Dorothea Tanning and son Jimmy. The 101-minute German film was released on DVD with English ...
Little Machine Constructed by Minimax Dadamax in Person (Von minimax dadamax selbst konstruiertes maschinchen) (1919–20) is a mixed-media work of art by the German dadaist and surrealist Max Ernst. It is probably the most famous example of a series of Ernst's works that were based on diagrams of scientific instruments.
The Elephant Celebes (or short Celebes) is a 1921 painting by the German Dadaist and surrealist Max Ernst. It is among the most famous of Ernst's early surrealist works and "undoubtedly the first masterpiece of Surrealist painting in the de Chirico tradition." [1] It combines the vivid dreamlike atmosphere of Surrealism with the collage aspects ...
Pages in category "Paintings by Max Ernst" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. A. Aquis Submersus; B.
The invited artists were Ivan Le Lorraine Albright, Eugène Berman, Leonora Carrington, Salvador Dalí, Paul Delvaux, Max Ernst, O. Louis Guglielmi, Horace Pippin, Abraham Rattner, Stanley Spencer, and Dorothea Tanning. All contestants except Fini did deliver a painting.
It was to become the most famous of all Berlin Dada's exploits. It featured almost 200 works by artists including Hans Arp, Max Ernst, Hannah Höch, Francis Picabia, and Rudolf Schlichter, as well as key works by George Grosz, John Heartfield and Raoul Hausmann.
Ernst went on to produce numerous comic-based paintings, and more comic books. The largest and most important before Une semaine de bonté were La femme 100 têtes (1929) and Rêve d'une petite fille qui voulut entrer au carmel (1930). Une semaine de bonté was completed in 1933 in just three weeks, during a visit to Italy.
Aquis Submersus (Latin for Drowned in the Waters) is a painting by the German dadaist and surrealist Max Ernst created in 1919. Influenced by the Italian metaphysical art it is one of Ernst's earliest works showing surrealistic accents. [1] It currently resides at the Städel Museum in Frankfurt, Germany. [1]
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