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Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. [1] A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism in Europe. [1]
Une semaine de bonté ("A Week of Kindness") is a collage novel and artist's book by Max Ernst, first published in 1934. It comprises 182 images created by cutting up and re-organizing illustrations from Victorian encyclopedias and novels.
Max Ernst, 1920, Punching Ball (l'Immortalité de Buonarroti), photomontage, gouache and ink on photograph. The Dadaglobe solicitation letter, sent from Paris in early November 1920, requested four types of visual submissions—photographic portraits (which could be manipulated, but should "retain clarity"); original drawings; photographs of artworks; and designs for book pages—along with ...
Of This Men Shall Know Nothing (German: Von diesem wissen Männer nichts) is oil on canvas painting by a German painter, sculptor, graphic artist, and poet Max Ernst. The painting was completed in 1923 in Paris, France. It is created in a Surrealism style by use of symbolic painting genre during First French period.
The painting's short original title is Celebes, according to inscriptions on the front and back of the canvas. [1] Ernst painted Celebes in Cologne in 1921. The French poet and Surrealist Paul Éluard visited Ernst that year and purchased the painting and took it back to Paris. Éluard would buy other of Ernst's paintings, and Ernst painted murals for Éluard's house in Eaubonne.
Other viewers have appreciated the film's language of the unconscious more: “The best dream sequence is the opening one by Max Ernst which appears to be based on the same dream as his painting 'Two Children Are Menaced by a Nightingale,'” wrote Harvard Professor Deirdre Barrett, “The dream's feel of perfectly ordinary objects being ...
The Wood (Max Ernst) This page was last edited on 30 June 2023, at 19:43 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Dorothea Tanning, Some Roses and their Phantoms, 1952, oil on canvas, 29 7/8 x 40 1/4 in./76.3 x 101.5 cm, Tate Modern. Apart from three weeks she spent at the Chicago Academy of Fine Art in 1930, [15] Tanning was a self-taught artist. [16]
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