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With the likelihood of the United States entering the war, and after experiments with various paint schemes conducted in association with the 1940 Fleet Problem (exercise), the Bureau of Ships (BuShips) directed in January 1941 that the peacetime color of overall #5 Standard Navy Gray, a light gloss shade with a linseed oil base, be replaced with matte Dark Gray, #5-D, a new paint formulation ...
Each ship's dazzle pattern was unique to make it more difficult for the enemy to recognize different classes of ships. The result was that a profusion of dazzle schemes were tried, and the evidence for their success was at best mixed. Dazzle camouflage patterns used on battleships are presented here.
In spite of Nelson's desire to distinguish vessels by means of this unique colouring, it was also found among vessels of other navies, including some ships of the United States Navy. Towards the end of the Napoleonic Wars, a trend started to substitute white for yellow.
Dazzle ships had been attacked in 1.47% of sailings, compared to 1.12% for uncamouflaged ships, suggesting increased visibility, but as Wilkinson had argued, dazzle was not attempting to make ships hard to see. Suggestively, of the ships that were struck by torpedoes, 43% of the dazzle ships sank, compared to 54% of the uncamouflaged. [8] [33]
RMS Lusitania was a British ocean liner launched by the Cunard Line in 1906. She was the world's largest passenger ship until the completion of her sister Mauretania three months later and was awarded the Blue Riband appellation for the fastest Atlantic crossing in 1908.
Each ship's dazzle pattern was unique to make it more difficult for the enemy to recognize different classes of ships. The result was that a profusion of dazzle schemes were tried, and the evidence for their success was at best mixed. Dazzle camouflage patterns used on cruisers are presented here. Patterns designed for cruisers were suffixed ...
In 1946, Hergé reproduced a photo of this ship without naming it in the coloring of Tintin in the Congo. According to Yves Horeau, this may have been a tribute to the ship, which was torpedoed by a German submarine on Christmas Eve two years earlier while carrying over 2,000 American soldiers during the Southampton-Cherbourg crossing. [38]
Peskett's original configuration for the ships in 1902 was a three-funnel design, when reciprocating engines were destined to be the powerplant. A giant model of the ships appeared in Shipbuilder's magazine in this configuration. Cunard decided to change power plants to Parson's new turbine technology, and the ship's design was again modified ...
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