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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots. The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as nkissi. [2]
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
These masks showcase an ideal image of an Igbo maiden. This ideal is made up by the smallness of a young girl’s features and the whiteness of her complexion, which is an indication that the mask is a spirit. This whiteness is created using a chalk substance used for ritually marking the body in both West Africa and the African Diaspora.
Pages in category "Masks in Africa" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes. ...
Masks attend to honor the deceased and to verify that the spirit of the deceased merits admission into the world of ancestors. Without a proper funeral the spirit remains near the home and causes trouble for his/her descendants. Masks are often carved of the wood of Ceiba pentandra, the faux kapokier. They are carved in three major styles that ...
Often strips of raffia, which are pieces of fiber from the raffia palm, are attached to the mask. The white color of these masks is associated with things like the spirits of ancestors, death, and male virility or manhood. [2] Most Ngil masks are an oval shape featuring a broad forehead with an elongated chin and nose.
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