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A.I. Artificial Intelligence - Music from the Motion Picture is the film score of the 2001 film of the same name, composed and conducted by John Williams. The original score was composed by Williams and featured singers Lara Fabian on two songs and Josh Groban on one. Soprano Barbara Bonney provided the vocal solos in several tracks. [1]
The software utilized music information processing and artificial intelligence techniques to essentially solve the transcription problem for simpler melodies, although higher-level melodies and musical complexities are regarded even today as difficult deep-learning tasks, and near-perfect transcription is still a subject of research. [6] [9]
Musicality (music-al-ity) is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness and harmoniousness. [1]
I Believe in Music (song) I Bought a Flat Guitar Tutor; I Can Hear Music; I Hear Music; I Let the Music Speak; I Like to Recognize the Tune; I Love Music (The O'Jays song) I Write the Songs; I'd Like to Teach the World to Sing (In Perfect Harmony) I'll Go Where Your Music Takes Me; I've Got the Music in Me; I've Heard That Song Before ...
Communication of peace, therefore, takes place at multiple structural levels, while anger seems to be conveyed nearly exclusively by timbre. Similarities between aggressive vocalizations and angry music (e.g., roughness) may contribute to the salience of timbre in anger assessments. [15]
The World in Six Songs: How the Musical Brain Created Human Nature is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, first published by Dutton Penguin in the U.S. and Canada in 2008. It was updated and released in paperback by Plume in 2009 and translated into six languages.
17. “Father and Son” by Cat Stevens. Release Year: 1970 Genre: Folk Like most of Cat Stevens’ music, this touching tune about fathers and sons is sappy in the best way possible.
The cognitive neuroscience of music represents a significant branch of music psychology, and is distinguished from related fields such as cognitive musicology in its reliance on direct observations of the brain and use of brain imaging techniques like functional magnetic resonance imaging (fMRI) and positron emission tomography (PET).