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"Wild Mountain Thyme" (also known as "Purple Heather" and "Will Ye Go, Lassie, Go?") is a Scottish/Irish folk song.The lyrics and melody are a variant of the song "The Braes of Balquhither" by Scottish poet Robert Tannahill (1774–1810) and Scottish composer Robert Archibald Smith (1780–1829), but were adapted by Belfast musician Francis McPeake (1885–1971) into "Wild Mountain Thyme" and ...
Download as PDF; Printable version; In other projects ... Live At McCabe's Guitar Shop "The Curragh Of Kildare" ... "Wild Mountain Thyme" "Come Back Baby" "I Am Lonely"
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"Wild Mountain Thyme" (tradional/Frank McPeake) a.k.a. "The Braes of Balquhidder", "The Flowers of Peace", "Will You Go, Lassie, Go?" There is no need for wp:OR or even wp:IAR to support this blindingly obvious assertion, as others have previously come to the same conclusion and published it. LeadSongDog come howl! 04:02, 14 June 2011 (UTC)
Original file (1,906 × 2,500 pixels, file size: 1.98 MB, MIME type: application/pdf, 12 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Pentangle recorded "Let No Man Steal Your Thyme" on their 1968 debut The Pentangle. Shelagh McDonald recorded "Let No Man Steal Your Thyme" on Album (1970); the song was re-released on 2005's Let No Man Steal Your Thyme. Foster and Allen recorded A Bunch of Thyme as a single in 1979 and released an album of the same name in 1980.
His instrumentals (with the Sunny Mountain Boys), such as "Theme Time", "Bear Tracks" and "Red Rooster", featured ultra-crisp playing by a series of banjo players including Sam "Porky" Hutchins, J.D. Crowe, Vernon McIntyre Jr. and Bill Emerson, and, powered by Martin's guitar runs, set a standard for bluegrass instrumentals that was influential.
After issuing several singles and receiving sold-out college campus shows, Parsley, Sage, Rosemary and Thyme was released by Columbia Records on October 24, 1966. [27] The duo resumed their trek on the college circuit eleven days following the release, crafting an image that was described as "alienated", "weird", and "poetic". [ 28 ]