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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots. The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as nkissi. [2]
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
Mapiko masks are worn during the rites of passage of circumcised boys. [ 1 ] [ 2 ] These wooden masks have been carved by master craftsmen, [ 3 ] made of soft wood and sometimes feature human hair. They represent human heads and may feature labrets or scarifications.
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The beads and shells were also used to make jewellery and to decorate masks, ceremonial dresses, and costumes. Central Africa: Raffia weaving, embroidered gowns, crocheted gowns, and feathered hats are all unique to the country of Cameroon. The Kuba use applique to strengthen the raphia cloth used for skirts.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.