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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
The White Horse is an oil-on-canvas landscape painting by the English artist John Constable. It was completed in 1819 and is now in the Frick Collection in New York City . The painting marked a vital turning point in the artist's career. [ 1 ]
Lascaux, Horse, c. Stone Age cave painting George Stubbs, Whistlejacket, c. 1762, National Gallery, London. Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of ...
The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. Bonheur added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm). [1]
The painting shows a nude, redheaded woman riding a black, frenetic horse. The horse bares its teeth, its tongue hanging out. Its nostrils are dilated and foam runs from its mouth. The woman riding the horse tightly clasps its neck with her eyes closed, her loose hair fanning out and flowing upwards to mingle with the horse's mane.
The painting was Géricault's first exhibited work and it is an example of his attempt to condense both movement and structure in his art. [1] It represents French romanticism and has a motif similar to Jacques-Louis David's Napoleon Crossing the Alps, but non-classical characteristics of the picture include its dramatic diagonal arrangement and vigorous paint handling.
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