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Compass rafter: A rafter curved or bowed on the top (the top surface of a rafter is called its "back") or both the top and bottom surfaces. Curb rafter: The upper rafters in a curb (kerb, gambrel, Mansard roof) roof. Hip rafter (angle rafter): The rafter in the corners of a hip roof. The foot of a hip rafter lands on a dragon beam.
Satari: A Swedish variant on the monitor roof; a double hip roof with a short vertical wall usually with small windows, popular from the 17th century on formal buildings. [citation needed] (Säteritak in Swedish.) Mansard (French roof): A roof with the pitch divided into a shallow slope above a steeper slope. The steep slope may be curved.
Complete architectural plan for a Gothic-arch barn by the US Department of Agriculture. Rafters were first constructed by laminating together, by nailing, two or more pieces of 1x8 inch lumber with overlapping end joints and then cutting the desired radius. Before power tools were commonly available, this method was labor-intensive.
Two king post trusses linked to support a roof. Key:1: ridge beam, 2: purlins, 3: common rafters. This is an example of a "double roof" with principal rafters and common rafters. A timber roof truss is a structural framework of timbers designed to bridge the space above a room and to provide support for a roof.
A roof being framed in the United States circa 1955. Modern timber roofs are mostly framed with pairs of common rafters or prefabricated wooden trusses fastened together with truss connector plates. Timber framed and historic buildings may be framed with principal rafters or timber roof trusses.
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The truss roof of the 4th-century church Old St. Peter's Basilica, Rome. The triangular frame of beams of the main nave is largely self-supporting, as the forces are carried along the beams rather than acting vertically on them. The list of ancient roofs comprises roof constructions from Greek and Roman architecture, ordered by clear span.
The reciprocal frame, also known as a Mandala roof, [1] has been used since the twelfth century in Chinese and Japanese architecture although little or no trace of these ancient methods remain. More recently they were used by architects Kazuhiro Ishii (the Spinning House) and Yasufumi Kijima, and engineer Yoishi Kan (Kijima Stonemason Museum).