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A cross necklace is any necklace featuring a Christian cross or crucifix as its pendant. [ 1 ] Crosses are often worn as an indication of commitment to the Christian faith , [ 2 ] [ 3 ] [ 4 ] and are sometimes received as gifts for rites such as baptism and confirmation .
In 2005, a mother accused her daughter's school in Derby, England, of discriminating against Christians after the teenager was suspended for refusing to take off a crucifix necklace. [33] In 2008, a chapel in a prison in England replaced its crucifix and static altar with a cross and portable altar when it was renovated as a multi-faith chapel ...
The Santa Croce Crucifix is a polychrome wood sculpture by Donatello, perhaps from c.1406-1408, or 1409–10. [1] If the former is the correct dating, then Donatello was a young artist working in Lorenzo Ghiberti 's workshop and beginning to get his own commissions.
Giotto's Crucifix at Santa Maria Novella is a cross painted in tempera and gold on wood panel (578 x 406 cm) by Giotto di Bondone around 1290-1295. The crucifix is preserved in the center of the nave of Florence's Santa Maria Novella basilica. It is one of the earliest known works by the artist, then in his early twenties.
Cimabue achieves a masterful handling of colour; medieval churches tended to be extremely colourful, with frescoed walls, painted capitals, and gold leaf paintings. [8] Pale tonalities dominate, with the main contrast found in the dark areas of Christ's hair and beard, which are utilised to make the features of his face stand out more and position his head as the focal point.
Rafail's Cross is a famous wooden crucifix at Rila Monastery in Bulgaria. The crucifix is a wooden cross made from a single piece of wood (81 х 43 cm). [ 1 ] It was whittled down by a monk named Rafail using fine burins and magnifying lenses to recreate 104 religious scenes and 650 miniature figures.
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The Crucifix by Cimabue at Arezzo is a large wooden crucifix painted in distemper, with gold leaf, by the Florentine painter and mosaicist Cimabue, dated to c. 1267–71. It is the earliest of two large crucifixes attributed to him. [ 1 ]
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