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The Basilica of the Holy Cross in Warsaw in Warsaw, where the devotion was first held in 1704, as painted by Bernardo Bellotto, 1778 [1]. Gorzkie żale (Polish pronunciation: [ˈɡɔʂkʲe ˈʐalɛ] Lenten (or Bitter Lamentations) is a Catholic devotion containing many hymns that developed out of Poland in the 18th century.
Attende, Domine is a Christian liturgical chant for the season of Lent, referred to in English as the Lent Prose matching Rorate caeli which is known as the Advent prose. [1] The themes of this hymn are the sinfulness of man and the mercy of God, a theological concept emphasised during Lent.
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
The celebration of the Stations of the Cross is especially common on the Fridays of Lent, especially Good Friday. Community celebrations are usually accompanied by various songs and prayers. Particularly common as musical accompaniment is the Stabat Mater of which a few verses are sung between each station.
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The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
Schutte's compositions are primarily written for Catholic liturgical use, but over time have been used in Protestant worship. Some of the more notable include "City of God" (1981), "Only This I Want" (1981), "Blest Be the Lord" (1976), "You Are Near" (1971), "Though the Mountains May Fall" (1975), "Sing a New Song" (1972), "Glory and Praise to Our God" (1976), "Here I Am, Lord" (1981), "Table ...
In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell on a Sunday in that period, or in Holy Week), so the "ideal" year cycle (German: Jahrgang) for such places comprised only 64 cantatas (or ...