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The following is a list of comic strips. Dates after names indicate the time frames when the strips appeared. Dates after names indicate the time frames when the strips appeared. There is usually a fair degree of accuracy about a start date, but because of rights being transferred or the very gradual loss of appeal of a particular strip, the ...
A daily strip is a newspaper comic strip format, appearing on weekdays, Monday through Saturday, as contrasted with a Sunday strip, which typically only appears on Sundays. They typically are smaller, 3–4 grids compared to the full page Sunday strip and are black and white.
A daily strip is usually carried on a standard newspaper page, often alongside other strips and non-comics matter (such as crossword puzzles). It is usually printed as either a horizontal strip (longer than it is tall) or a box (roughly square) in black and white, although in recent years syndicates have offered daily strips in color, and ...
As we refresh our comics offerings, here's what's staying, coming and going (and how you can still read some of those online). Don't shoot! Expanded comics section adds new strips, brings back old ...
Comics evolve to reflect the culture and tastes of the times. The USA Today Network – of which the Daily Jeff is a part – is transitioning its comic pages to best serve audiences.
The comic strip debuted on February 7, 1938, and within eight weeks became the fastest growing syndicated comic strip worldwide. The publisher behind the project is IDW Publishing and their imprint , The Library of American Comics .
These are the results of an overall review of the syndicated comics that The Times publishes, which we promised to readers after printing a “9 Chickweed Lane” strip Dec. 1 that contained an ...
Asterix and Obelix (1977– ) by René Goscinny and Albert Uderzo (US reprint of French album stories edited into comic strip form). At the Zü (1995–1998) by Ron Ruelle (US) Aunt Tenna (see Channel Chuckles) by Bil Keane (US) The Avridge Farm (1987–2005) by Jeff Wilson ; Axa (1978–1986) by Enrique Badia Romero and Donne Avenell (UK)