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The poem's self-proclaimed fragmentary nature combined with Coleridge's warning about the poem in the preface turns "Kubla Khan" into an "anti-poem", a work that lacks structure, order, and leaves the reader confused instead of enlightened. [58] However, the poem has little relation to the other fragmentary poems Coleridge wrote. [59]
The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium-induced haze), but was interrupted by this visitor who came "on business from Porlock" while in the ...
To the Rev. George Coleridge Of Ottery St. Mary, Devon. With Some Poems. Notus in fratres animi paterni. - Hor "A blesséd lot hath he, who having passed" 1797 1797 On the Christening of a Friend's Child "This day among the faithful plac'd" 1797 1797 Translation of a Latin Inscription by the Rev. W. L. Bowles in Nether-Stowey Church
"Xanadu" is a song by the Canadian progressive rock band Rush from their 1977 album A Farewell to Kings. [1] It is approximately eleven minutes long, beginning with a five-minute-long instrumental section before transitioning to a narrative written by Neil Peart , which in turn was inspired by the Samuel Taylor Coleridge poem Kubla Khan .
Xanadu: The Marco Polo Musical is an original musical written and produced in 1953 by Seventh Army Special Services in Germany, the first of the numerous stage musicals, film musicals and songs inspired in part by the Samuel Taylor Coleridge poem Kubla Khan with its opening lines: In Xanadu did Kubla Khan A stately pleasure-dome decree
Xanadu is a 1980 American musical fantasy film written by Richard Christian Danus and Marc Reid Rubel and directed by Robert Greenwald. The film stars Olivia Newton-John , Michael Beck , and Gene Kelly in his final film role.
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The lyrics of the song were inspired by the poem Kubla Khan by Samuel Taylor Coleridge. In March 1985, the album track was abridged and remixed for release as the group's fourth UK single. While criticised at the time of release and afterward for being a song that glorifies debauchery, the lyrics (and video), just as Coleridge's poem, were ...