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Stair dust corners originated in the 1880s, during the Victorian era. Dust corners typically have a small hole in the middle so a nail can be hammered into the stairs. [2] Gail Caskey Winkler, author of Victorian Interior Decoration, believes dust corners originated in response to the public's new knowledge of the germ theory of disease. [3]
The American Foursquare or "Prairie Box" was a post-Victorian style, which shared many features with the Prairie architecture pioneered by Frank Lloyd Wright.. During the early 1900s and 1910s, Wright even designed his own variations on the Foursquare, including the Robert M. Lamp House, "A Fireproof House for $5000", and several two-story models for American System-Built Homes.
Interior architecture is the design of a building or shelter from inside out, or the design of a new interior for a type of home that can be fixed. It can refer to the initial design and plan used for a building's interior, to that interior's later redesign made to accommodate a changed purpose, or to the significant revision of an original ...
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
The Gertrude Rhinelander Waldo House is at 867 Madison Avenue, along the southeast corner of 72nd Street, on the Upper East Side of Manhattan in New York City. [5] The house has a frontage of 102 feet (31 m) on Madison Avenue to the west and 40 feet (12 m) on 72nd Street to the north.
The Miles Brewton House is a National Historic Landmark residential complex located in Charleston, South Carolina. It is one of the finest examples of a double house (a reference to the arrangement of four main rooms per floor, separated by a central stair hall) in Charleston, designed on principles articulated by Andrea Palladio .
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The highlight of the interior is the central, circular hall, surrounded by a balcony and covered by the domed ceiling; it soars the full height of the main house up to the cupola, with walls decorated in trompe-l'œil. Abundant frescoes create an atmosphere that is more reminiscent of a cathedral than the principal salon of a country house.