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Instruments with only a lower cutaway are known as "single cutaway" instruments, and guitars with both are called "double cutaway". These terms are sometimes shortened to "single cut" (such as in the model name for a solid-body electric guitar called the "PRS Singlecut", produced by the Paul Reed Smith company) or "double cut".
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
The Gibson ES series of semi-acoustic guitars (hollow body electric guitars) are manufactured by the Gibson Guitar Corporation. The letters ES stand for Electric Spanish, to distinguish them from Hawaiian-style lap steel guitars which are played flat on the lap. Many of the original numbers referred to the price, in dollars, of the model.
The body is composed of multiple mahogany (usually four) pieces and is sold with a gig-bag (as opposed to a hard-case). Doublecut design. The Doublecut had one major design change: the original models had the neck pickup mounted closer to the neck/body join which resulted in a weak neck join.
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The current L6S neck does not feature the unique "narrow at the nut and wider near the body" taper of the 1970s guitar, but a conventional Gibson shape. The chamfered body shape and 24 frets are of similar design to the 1970s classic, except that the newer version is a two-piece maple body, as opposed to a one-piece bodywork on the original.
The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
At the same time of the Melody Maker, Gibson's sister brand Epiphone made a version of the guitar named the Olympic. Initially virtually identical to the double cut Melody Makers, these guitars eventually developed an asymmetrical body with a slightly larger upper horn with the Olympic Special, and a higher-end model which shared a body with the later Epiphone Coronet, Wilshire, and Crestwoods ...