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Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
Louis William Wain (5 August 1860 – 4 July 1939) was an English artist best known for his drawings of anthropomorphised cats and kittens. Wain was born in Clerkenwell, London. In 1881 he sold his first drawing and the following year gave up his teaching position at the West London School of Art to become a full-time illustrator. He married in ...
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
Keane started drawing as a child and, at age 10, she took classes at the Watkins Institute in Nashville. [7] [8] When she was 10 years old, Keane painted her first oil portrait of two little girls, one crying and one laughing, and gave the painting to her grandmother. [9] At age 18, she attended the Traphagen School of Design in New York City ...
William Huggins (May 1820 – 25 February 1884) [1] was an English artist, from Liverpool, who specialised in drawing animals. [2] Huggins was a member of the Liverpool Academy of Arts. [2] He enjoyed visiting Wombwell's Travelling Menagerie, an animal circus, and the Liverpool Zoological Gardens. [3]
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Sketches can be made in any drawing medium. The term is most often applied to graphic work executed in a dry medium such as silverpoint, graphite, pencil, charcoal or pastel. It may also apply to drawings executed in pen and ink, digital input such as a digital pen, ballpoint pen, marker pen, water colour and oil paint.
Realism is widely regarded as the beginning of the modern art movement due to the push to incorporate modern life and art together. [2] Classical idealism and Romantic emotionalism and drama were avoided equally, and often sordid or untidy elements of subjects were not smoothed over or omitted.
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