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"Eight Days a Week" is a song by the English rock band the Beatles. It was written by Paul McCartney and John Lennon based on McCartney's original idea. [2] It was released in December 1964 on the album Beatles for Sale, except in the United States and Canada, where it was first issued as a single A-side in February 1965 before appearing on the album Beatles VI.
The Beatles in 1965; from left to right: John Lennon, Ringo Starr, Paul McCartney and George Harrison. The Beatles were an English rock band from Liverpool who recorded hundreds of songs during their career. The group's "main catalogue"—songs released between 1962 and 1970—consists of 213 songs (four of which exist in different versions ...
Madman (Beatles song) Maggie May (folk song) Magical Mystery Tour (song) Martha My Dear; Matchbox (song) Maxwell's Silver Hammer; Mean Mr. Mustard; Memphis, Tennessee (song) Michelle (song) Midnight Special (song) Misery (Beatles song) Mr. Moonlight (song) Money (That's What I Want) Moonlight Bay; Mother Nature's Son; My Bonnie Lies over the Ocean
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
The track, called “Now And Then,” will be available Thursday, Nov. 2, as part of a single paired with “Love Me Do,” the very first Beatles single that came out in 1962 in England, it was ...
The final Beatles recording is here. Titled “Now and Then,” the almost impossible-to-believe track is four minutes and eight seconds of the first and only original Beatles recording of the ...
A 5.1 surround sound full stereo remix of the song appeared on the DVD release of Anthology in 2003, on disc 4. A full stereo digital remix was also done for the Cirque du Soleil show Love and album of the same name, released in 2006. Producers George and Giles Martin were allowed access to early generations of the original master tapes.
The Beatles recorded "I Don't Want to Spoil the Party" on 29 September 1964 in 19 takes, the last of which was released. [7] George Harrison's guitar solo, played on his new Gretsch Tennessean in the style of Carl Perkins, [6] was enhanced by midrange resonance boost, giving it an especially bright sound. [8]