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The Nihon Bijutsu Tōken Hozon Kyōkai (日本美術刀剣保存協会, 'The Society for Preservation of Japanese Art Swords', NBTHK) is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value. They run a Japanese Sword Museum in Tokyo and have a secretariat in the ...
The first standard sword of the Japanese military was known as the kyū guntō (旧軍刀, old military sword). Murata Tsuneyoshi (1838–1921), a Japanese general who previously made guns, started making what was probably the first mass-produced substitute for traditionally made samurai swords.
The Chrysanthemum and the Sword: Patterns of Japanese Culture is a 1946 study of Japan by American anthropologist Ruth Benedict compiled from her analyses of Japanese culture during World War II for the U.S. Office of War Information. Her analyses were requested in order to understand and predict the behavior of the Japanese during the war by ...
The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". [3] [4] The list presents 110 swords and 12 sword mountings from ancient to feudal Japan, spanning from the late Kofun to the Muromachi period.
Visual glossary of Japanese sword terms. Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons [1] [2] including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya.
Wazamono (Japanese: 業 （ わざ ） 物 （ もの ）) is a Japanese term that, in a literal sense, refers to an instrument that plays as it should; in the context of Japanese swords and sword collecting, wazamono denotes any sword with a sharp edge that has been tested to cut well, usually by professional sword appraisers via the art of tameshigiri (test cutting).
During the Sino-Japanese War and World War II, Japanese officers routinely tested their new swords on captured Allied soldiers and Chinese civilians. Lieutenants Mukai and Noda held a competition to see who could behead 100 people fastest using a katana. The story was spread by only one Japanese newspaper, the Mainichi Shimbun in 1937. Tokyo ...
He lived and taught there until the end of World War II. He moved back to Japan but left Musashi's scroll and wooden sword handed down for safe keeping due to Japan's ban on combat sports that facilitated “the removal and exclusion from public life of militaristic and ultra nationalistic persons.” Aoki's student returned the relic in 1958. [5]