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Pages in category "19th-century Italian painters" The following 200 pages are in this category, out of approximately 1,367 total. This list may not reflect recent changes .
Francesco Monteverde (19th century) Paolo Moranda Cavazzola (1486–1522) Giorgio Morandi (1890–1964) Domenico Morani (1813–1870) Domenico Morelli (1823–1901) Moretto da Brescia (c.1498–1554) Emma Moretto (19th century) Giovan Battista Moroni (1522–1579) Tulio Moy (1856–1894) [25] Carlo Muccioli (1857–1931) Quirizio di Giovanni da ...
From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in the Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style.
Equine sporting art was popular in the 19th century, with notable artists of the period being Benjamin Marshall, James Ward, Henry Thomas Alken, James Pollard, John Frederick Herring Sr., and Heywood Hardy. Horse racing gradually became more established in France, and Impressionist painter Edgar Degas painted many early racing scenes.
The artists did, in fact, paint much of their work in these wild areas. This sense of the name also identified the artists with outlaws, reflecting the traditionalists' view that new school of artists was working outside the rules of art, according to the strict laws defining artistic expression at the time.
Animalier school or animalier [1] [2] [3] art was a late-18th and 19th-century artistic genre and school of artists who focused on depictions of animals. The movement was largely centered in France, with some artists producing related subject matter in England, Italy, Germany, Russia, and North America.
Self-portrait (date unknown) Domenico Morelli (4 August 1823 – 13 August 1901) [1] was an Italian painter, who mainly produced historical and religious works. Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Accademia di Belle Arti in Naples, but also because of his rebelliousness against institutions: traits that flourished into ...
[7] [8] This style of cropping was uncommon in painting in general before the invention of photography. Degas has also been suggested to have taken influences from English paintings when painting At the Races in the Countryside. The green coloring of the painting is suggestive of an influence from English horse racing scenes. [9]