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Yoruba type royal crown, Ade Nla from the kingdom of Danhomè, a kingdom that developed under heavy cultural influence from its much larger Yoruba neighbor. The beaded veil shields the Oba's own face and transforms him into a living embodiment of Odùduwà and the force of the collective ancestors. The birds signify that the Oba is a divine ruler.
The beaded veil shields the Oba's own face and transforms him into a living embodiment of Odùduwà and the force of the collective ancestors. The birds signify that the Oba is a divine ruler. Half in the physical and half in the spiritual realms just as the birds can traverse both the terrestrial and the celestial.
Originally, beaded objects or materials were the reserve for kings and other high-ranking members of society, most especially Ojoye/Ijoye (chiefs). However, the babalawo, who are seen in society as the fathers of mysteries , guardians of Yoruba esoteric knowledge and the conduit between the physical and the otherworldly can also own Odigba ...
Oba Abessan V, the Onikoyi of Porto Novo, Benin.. There are two different kinds of Yoruba monarchs: The kings of Yoruba clans, which are often simply networks of related towns (For example, the oba of the Ẹ̀gbá bears the title "Aláké" because his ancestral seat is the Aké quarter of Abẹ́òkúta, hence the title Aláké, which is Yoruba for One who owns Aké.
The Yoruba tribal marks are scarifications which are specific identification and beautification marks designed on the face or body of the Yoruba people. The tribal marks are part of the Yoruba culture and are usually inscribed on the body by burning or cutting of the skin during childhood. [ 1 ]
The precise origins of establishing traditional ancestral altars remains unclear, due to the oral nature of the Edo culture. [3] However, a 2008 publication by the Art Institute of Chicago theorized that the practice of creating ancestral altars most likely originated during the earliest periods of the Benin Kingdom. [1]
Yoruba copper mask for King Obalufon, Ife, Nigeria c. 1300 CE. The Yoruba are said to be prolific sculptors, [6] famous for their terra cotta works throughout the 12th, 13th and 14th centuries; artists have also made artwork out of bronze. [7] Esiẹ Museum is a museum in Esiẹ; [8] a neighbouring town to Oro in Irepodun, Kwara.
The Igogo festival is a Yoruba festival held in Owo, Nigeria.It is held annually in September to honor Queen Oronsen, a mythical wife of Rerengejen. [1] During the festival, the incumbent Olowo of Owo, Oba Ajibade Gbadegesin Ogunoye III, [2] and high chiefs of Owo Kingdom dress like women with coral beads, beaded gowns and plaited hair. [3]
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