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Kirkby Lonsdale (/ ˈ k ɜːr b i ˈ l ɒ n z d eɪ l /) is a town and civil parish in the Westmorland and Furness district of Cumbria, England, on the River Lune. Historically in Westmorland , it lies 13 miles (21 km) south-east of Kendal on the A65 .
The following rooms are open to the public. The drawing room still includes Ruskin's secretaire, bookcase and shell-cabinet. The wallpaper is a copy of Ruskin's design and his drawing of the north porch of St. Mark's, Venice, hangs above the shell-cabinet. Next door is the study where Ruskin worked which contains a painting by Samuel Prout.
John Ruskin (8 February 1819 – 20 January 1900) was an English polymath – a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era.
The Director of The Ruskin is Professor Sandra Kemp. [3] Prior to 2019, The Ruskin – Library, Museum and Research Centre was known as the Ruskin Library. The Ruskin is home to The Ruskin Whitehouse Collection, the world's largest assemblage of works by artist, writer, environmentalist and social thinker John Ruskin (1819–1900), and his circle.
Modern Painters (1843–1860) is a five-volume work by the Victorian art critic John Ruskin, begun when he was 24 years old based on material collected in Switzerland in 1842. [1] Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters.
Casterton is a small village and civil parish close to Kirkby Lonsdale on the River Lune in the south east corner of Cumbria, England. In the 2001 census the parish had a population of 500, [2] decreasing at the 2011 census to 425. [1]
The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice . [ 1 ]
Reginald Howard Wilenski (7 March 1887 – 19 April 1975) was an English painter, art historian and critic known for his books The Modern Movement in Art (1927), The Meaning of Modern Sculpture (1932), and his psychological study of John Ruskin (1933).
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