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He also wrote many series of piano and organ method books, such as the David Carr Glover Piano Course (1956), Boogie-Woogie and How to Play It (1958), David Carr Glover New Organ Course (1962), Playing the Piano (1963), Piano Student and Piano Repertoire (1967), and David Carr Glover Method for Piano (1988). Some of these method books are still ...
A book playing a large Gavioli fairground organ. Book music (French: Livre de musique) is a medium for storing the music played on mechanical organs, mainly of European manufacture. Book music is made from thick cardboard, containing perforated holes specifying the musical notes to be played, with the book folded zig-zag style.
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Murray wrote many articles and published five books. His Marcel Dupré: The Work of a Master Organist (Northeastern University Press, ISBN 0-930350-65-0 ) is in its third printing. He also wrote French Masters of the Organ (Yale University Press, ISBN 0-300-07291-0 ) and served as editor for A Jacques Barzun Reader (HarperCollins, ISBN 0-06 ...
Although largely self-taught as an organist [1] C H Trevor was appointed to a series of prestigious organist and teaching posts. [1] [3] [2] In 1971 the Council of the UK’s Royal College of Organists conferred on Trevor an honorary membership and at the same time awarded him the College’s Fellowship diploma honoris causa.
Andante (Prelude) in D minor for organ, WAB 126/2 (c. 1846) Prelude in E flat major for organ, WAB 127 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Four Preludes in E flat major for organ, WAB 128 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Prelude (Perger Präludium) in C major for organ, WAB 129 (1884)
They also include performance suggestions, practice exercises, musical analysis, an essay on the art of transcribing Bach's organ music for piano, an analysis of the fugue from Beethoven's 'Hammerklavier' sonata, and other related material. The later editions also include free adaptations and original compositions by Busoni which are based on ...
Unlike most other organ preludes and fugues of Bach, the autograph fair copy of the score survives, [2] though the handwriting changes twenty two measures into the fugue to the hand of Johann Peter Kellner, [3] a likely pupil and acquaintance of Bach who played an important role in the copying of his manuscripts. Because of the work's immense ...