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A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]
It has been recorded numerous times and has become a jazz standard. [4] Gary Giddins stated that the song "set the music world on its ear" and that it was "part of the funky, back to roots movement that Horace Silver, Mingus, and Ray Charles helped, in different ways, to fan". [5]
Smith's recording with her Jazz Hounds has been called the earliest genuine jazz recording by a black ensemble. [110] Bix Beiderbecke recorded an influential version in 1927. [109] Darius Milhaud used the song in his ballet La création du monde. [111] 1919 – "Someday Sweetheart". [112] Jazz song credited to John Spikes. [113]
The same year, Carmichael recorded an instrumental version of the song for Gennett Records. In 1928, Carmichael left Indiana after Mills Music hired him as a composer. Mills Music then assigned Mitchell Parish to add words to the song. Don Redman recorded the song in the same year, and by 1929 it was performed regularly at the Cotton Club.
Ella Fitzgerald, Chick Webb's vocalist two years after Savoy's release, sang the song in concert in 1957 in Los Angeles to great acclaim (Verve MG V-8264). Her version of the song is in the musical form of "scat" and has been widely hailed by fans of one of the single greatest examples of that form (references needed).
The song's I-vi-ii-V7 chord progression has been used in countless jazz compositions, and is commonly known as "rhythm changes". [20] George Gershwin's last concert composition, Variations on "I Got Rhythm" was based on this song. [21] "Lazy River", [4] [22] a song by Hoagy Carmichael and Sidney Arodin, [23] was a hit for the Mills Brothers in ...
Composed at a time when the popularity of ragtime was fading in favor of thirty-two-bar form and twelve-bar blues songs, the song has been called "definitely ahead of its time" by composer Alec Wilder. Indeed, while popular in the late 1910s and early 1920s, the song enjoyed its biggest popularity during the swing era. [1]