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In the early 1890s, Satie's fascination with medieval Catholicism, Gothic art and Gregorian chant led him to explore religious influences in his life and music. At first he was drawn to Joséphin Péladan's Rose + Croix movement, for which he acted as official composer from 1891 to 1892, and after breaking with Péladan he associated with the occultist writer Jules Bois, publisher of the ...
Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende Domine; Aurora lucis rutilat; Ave Maria; Ave maris ...
Jesus Christ her little Child. 2 He came down to earth from heaven Who is God and Lord of all, And his shelter was a stable, And his cradle was a stall: With the poor and mean and lowly, Lived on earth our Saviour holy. 3 And through all His wondrous childhood He would honour and obey, Love and watch the lowly maiden, In whose gentle arms He lay:
Tell the glad story of Jesus: Julia Sterling* 43: Tell me the story of Jesus: F.J. Crosby: 48: Jesus knows thy sorrow: W.O. Cushing: 49: The Love of Jesus: What a blessed hope is mine: Robert Bruce* 54: Song of Immanuel: Come, sing the sweet song of the ages: Mrs R.N. Turner: 62: Seeking for the Lost: He is seeking for the lost: Rebecca R ...
"Jesus your King is born, Jesus is born, In excelsis gloria." The earliest moon of wintertime Is not so round and fair As was the ring of glory On the helpless infant there. The chiefs from far before him knelt With gifts of fox and beaver pelt. "Jesus your King is born, Jesus is born, In excelsis gloria." O children of the forest free, O sons ...
The scene, part of the series of the Stories of Jesus on the chapel's northern wall, is a reference to Matthew 16 [2] in which Jesus says he will give "the keys of the kingdom of heaven" to Saint Peter. [3] These keys represent the power to forgive and to share the word of God thereby giving them the power to allow others into heaven.
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As of the 12th century an increasing number of diataxeis, giving the order of the liturgy included Marian hymns. [ 8 ] On Wednesdays and Fridays, the regular Theotokia are replaced with Stavrotheotokia, hymns in which the focus is less on the incarnation (although this imagery is still present) and more on the image of the Virgin Mary standing ...
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