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The Five Lances (Latin: Quinque Lanceis) of the Immaculate Heart of Mary refer to events, that according to St. Bridget, were revealed by the Blessed Virgin Mary as having pierced her heart, while she was standing by the Cross. These are not the same as the five sorrowful mysteries of the Rosary.
Then on the separate bead an Our Father is said, followed by a Hail Mary for each of the seven beads. Some then close the septet of Hail Marys with a brief invocation to Our Lady of Sorrows (Commonly: "Sorrowful and Immaculate Heart of Mary pray for us"), or a Glory Be. The next sorrow is then announced, and carried out in the same manner until ...
Immaculate Heart of Mary. The Immaculate Heart of Mary (Latin: Cor Immaculatum Mariae) is a Catholic devotion which refers to the view of the interior life of Mary, her joys and sorrows, her virtues and hidden perfections, and, above all, her virginal love for God the Father, her maternal love for her son Jesus Christ, and her motherly and compassionate love for all mankind. [1]
Just as the 15 Mysteries are divided into three cycles, the 15 sonatas are organized into the same three cycles: five Joyful Mysteries, five Sorrowful Mysteries and five Glorious Mysteries. In the manuscript each of the 15 sonatas is introduced by an engraving appropriate to the devotion to the life of Christ and the Virgin Mary. [3]
Immaculate Mary" or "Immaculate Mother" (French: Ô Vierge Marie) is a popular Roman Catholic Marian hymn. It is also known as the Lourdes Hymn , a term which also refers to the hymn tune itself. It is often sung in honour of the Immaculate Conception of the Blessed Virgin Mary .
Petit reported revelations regarding the establishment of a devotion to the Sorrowful and Immaculate Heart of Mary. Through Father Masselis, Decorsant and Petit met Cardinal Désiré-Joseph Mercier, Archbishop of Mechelen, who in 1911 approved the prayer, Sorrowful and Immaculate Heart of Mary, pray for us who have recourse to thee." [2]
The sanctuary of the basilica looking towards the Sorrowful Mysteries. The nave is surrounded by fifteen smaller side chapels, one for each of the traditional Mysteries of the Rosary. On the left of the nave are found the Joyful Mysteries; in the centre behind the sanctuary are the Sorrowful Mysteries, and to the right are the Glorious Mysteries.
Hymns to Mary began to flourish with the growing veneration of the Virgin Mary in the 11th and 12th centuries, and the Ave Maria became well established. [14] Marian hymns in the Western Church grew even faster during the 13th century as the Franciscans began to compose a number of lasting hymns.