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"3 O'Clock Blues" or "Three O'Clock Blues" [1] is a slow twelve-bar blues recorded by Lowell Fulson in 1946. When it was released in 1948, it became Fulson's first hit. When B.B. King recorded the song in 1951, it became his first hit as well as one of the best-selling R&B singles in 1952. [2]
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
Lowell Fulson (March 31, 1921 – March 7, 1999) [1] was an American blues guitarist and songwriter, in the West Coast blues tradition. He also recorded for contractual reasons as Lowell Fullsom and Lowell Fulsom.
Riding with the King was the first collaborative album by Eric Clapton and B.B. King. [1] [2] They performed together for the first time at Cafe Au Go Go in New York City in 1967 when Clapton was 22 and a member of Cream, but did not record together until 1997 when King collaborated with Clapton on the song "Rock Me Baby" for his duets album, Deuces Wild.
Gary Clark Jr. Live, or simply Live, [1] is a live double album by American musician Gary Clark Jr., released by Warner Records on September 23, 2014. The tracks featured on the album were recorded over the course of an 18-month-long tour from 2013 to 2014. [1] Gary Clark Jr. Live was ranked No. 47 on Rolling Stone ' s list of the "50 Best ...
Together for the First Time... Live is a 1974 blues album by singer Bobby Bland and guitarist B. B. King. The duo later recorded Bobby Bland and B. B. King Together Again...Live. Bland and King toured together extensively in the 1970s and 1980s, which did much to keep their careers alive during a period of otherwise popular decline for the ...
B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
Notable live radio transcriptions of the song also exist, such as Basie's November 3, 1937 performance of the song at the Meadowbrook (Cedar Grove NJ). [2] Later, Basie recorded the song for Columbia in 1942 and 1950 and on a number of occasions in the fifties. "One O'Clock Jump" became the theme song of the Count Basie Orchestra. They used it ...