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This rise in popularity of the artist has resulted in the removal of their paintings to be sold. One example can be seen in the removal of Girl with Red Balloon from Shoreditch, east London in 2013–2014. The painting was removed over a period of two weeks, using a diamond-bladed chainsaw to cut through 22 cm of brick.
In order to begin, the artwork was removed from its frame. Afterwards it was to be laid picture side up, with the image covered by a sheet of paper coated in paste (generally of a beeswax or glue base). The artwork would then be flipped over and secured to the work surface with pins or nails.
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
In general, works of art on paper should be stored in a cool and relatively dry room with minimal exposure to light. [40] Pastel artworks should be matted and framed. Framing should be under ultraviolet filtering acrylic sheeting. [22] Using a glaze over the surface of the oil pastel works can help to protect the oil pastel from damage. [1]
Deaccessioning is a controversial topic and activity, with diverging opinions from artists, arts professionals and the general public. [14] Some commentators, such as Donn Zaretsky of The Art Law Blog critique the notion of "the public trust" and argue that deaccessioning rules should probably be thrown out altogether. [15]
In 1970, John Baldessari and five other artists burned all the paintings Baldessari had created between 1953 and 1966 in a bonfire. The 2018 artwork Love is in the Bin by Banksy was designed with a shredder hidden in the frame, activated upon the painting's sale at auction to destroy the lower half of the artwork.
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