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Before "makossa" as a word existed, the genre of music known as makossa today emerged in the late 20th century. [1] It was based on the currents of musical influence in the city where it was born. The term makossa was founded by Nelle Eyoum. [11] He did this when casually shouting out "kossa kossa" to children who would dance in reaction.
The ethnicities of Cameroon include an estimated 250 distinct ethnic groups in five regional-cultural divisions. An estimated 38% of the population are Western highlanders–Semi-Bantu or grassfielders including the Bamileke, Bamum, and many smaller Tikar groups in the northwest. 12% are coastal tropical forest peoples, including the Bassa, Duala, and many smaller groups in the southwest.
In the mid-1960s, Eboa Lotin performed a style of ambasse bey on harmonica and guitar that was the earliest form of makossa, a style that quickly came to overshadow its predecessor and become Cameroon's most popular form of indigenous music. [4] Ambasse bey was revived to an extent by Cameroonian singer Sallé John. [5]
This is a list of musicians and musical groups from Cameroon This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Francis Bebey was born in Douala, Cameroon, on July 15, 1929. [1] Bebey attended college in Douala , where he studied mathematics, before studying broadcasting at the University of Paris . He moved to the United States and continued to study broadcasting at New York University . [ 2 ]
"Soul Makossa" is a song by Cameroonian saxophonist and songwriter Manu Dibango, released as a single in 1972. It is the most sampled African song in history. [1] The song was originally recorded as the B-side for "Hymne de la 8e Coupe d'Afrique des Nations", a song celebrating the Cameroon national football team's accession to the quarterfinals of the Africa Cup of Nations football tournament ...
Critics contended that Cameroon's imposition emanated from the belief that ndombolo encroached upon local music genres like makossa and bikutsi. [ 75 ] [ 76 ] [ 77 ] Paradoxically, despite prohibitions, many artists continued to release records that dominated discos, bars, and clubs across Africa, characterized by their distinctive bass ...
The Kingdom of Bamoun (also spelled Bamoum, Bamun, Bamoun, or Mum) was a state in central Africa, part of what is now northwest Cameroon. It was founded by the Bamun, an ethnic group from northeast Cameroon. Its capital was the ancient walled city of Fumban. The kingdom came under control of German West Africa in 1916.
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