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Jesus The Christ Pantocrator of Saint Catherine's Monastery at Mount Sinai, 6th century AD Born c. 6 to 4 BC [a] Herodian kingdom, Roman Empire Died AD 30 or 33 (aged 33 or 38) Jerusalem, Judaea, Roman Empire Cause of death Crucifixion [b] Known for Central figure of Christianity Major prophet in Islam and in Druze Faith Manifestation of God in Baháʼí Faith Parent(s) Mary, Joseph [c] Part ...
Jesus Hominum Salvator (Latin for Jesus, Savior of Humankind) is a tempera painting by Andreas Ritzos. Ritzos was one of the founders of the Cretan School of painting. His teacher was Angelos Akotantos. Andreas Ritzos was active from 1436 to 1492. He painted in the traditional Greek-Italian Byzantine style combined with Italian Renaissance ...
The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Christian theology sometimes refers to Jesus using the title Redeemer or Saviour. This refererences the salvation he accomplished, and is based on the metaphor of redemption , or "buying back". In the New Testament , redemption can refer both to deliverance from sin and to freedom from captivity.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...