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Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien .
Music for Cello and Piano (1955) ... Sonata di concerto for cello and piano Op. A-42 (1947) ... 4 Sonatas; Larghetto and Siciliana; Vocalise (1985)
Piano Concerto No. 4 may refer to: Piano Concerto No. 4 (Beethoven) Piano Concerto No. 4 (Mozart) Piano Concerto No. 4 (Prokofiev) Piano Concerto No. 4 (Rachmaninoff) Piano Concerto No. 4 (Ries) Piano Concerto No. 4 (Rorem) Piano Concerto No. 4 (Rubinstein) Piano Concerto No. 4 (Saint-Saëns) Piano Concerto No. 4 (Villa-Lobos)
The second movement, Larghetto, in E ♭ major—the relative major of C minor—features a strikingly simple principal theme. The final movement, Allegretto, is a theme and eight variations in C minor. The work is one of Mozart's most advanced compositions in the concerto genre. Its early admirers included Ludwig van Beethoven and Johannes Brahms.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
Romance (Larghetto) (4/4) (A-flat major) Allegro ; This concerto "has clarinets besides bassoons and string for accompaniment. They bring warmth and light colouring to this most attractive work, and in spite of unadventurous support they partner the bassoons in many typical phrases." [4]
Concerto for oboe and orchestra (1947–1948) Elegy for clarinet and orchestra (1949) Concerto No. 2 for piano and orchestra (1949–1951, revised 1953); modeled after Beethoven's Emperor Concerto; Cello Concert for solo cello and orchestra (1966) Concerto for solo percussion and large or small orchestra (1974)
William Henry Squire, ARCM (8 August 1871 – 17 March 1963) was a British cellist, composer and music professor of the late 19th and early 20th centuries. He studied cello at the Royal College of Music, and became professor of cello at the Royal College and Guildhall schools of music.
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