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Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien .
The autograph score remains well preserved; it is stored in the British Library in London. [2] The Romance is given an individual header in the autograph, suggesting that it was the first movement to be composed and Mozart later expanded the work into a full concerto by adding the outer movements.
Piano Concerto No. 4 may refer to: Piano Concerto No. 4 (Beethoven) Piano Concerto No. 4 (Mozart) Piano Concerto No. 4 (Prokofiev) Piano Concerto No. 4 (Rachmaninoff) Piano Concerto No. 4 (Ries) Piano Concerto No. 4 (Rorem) Piano Concerto No. 4 (Rubinstein) Piano Concerto No. 4 (Saint-Saëns) Piano Concerto No. 4 (Villa-Lobos)
Piano Concerto No. 3 in C-sharp minor, Op. 55, by German composer Ferdinand Ries was written around 1813. It was composed in the proto- Romantic style, similar to the concertos of Johann Nepomuk Hummel , and anticipates stylistic developments of future Romantic composers.
The second movement, Larghetto, in E ♭ major—the relative major of C minor—features a strikingly simple principal theme. The final movement, Allegretto, is a theme and eight variations in C minor. The work is one of Mozart's most advanced compositions in the concerto genre. Its early admirers included Ludwig van Beethoven and Johannes Brahms.
The work is in three movements as follows: . Allegro moderato; Larghetto; Rondo allegretto; The fact that each performance has a different orchestration makes it difficult to describe the work accurately, but in general the concerto has the style of classical composers of the late 18th century such as Joseph Haydn, who would later come to tutor Beethoven.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
He continued to pursue his music studies independently while at school, composing his first piece at the age of 15. [1] From 1885 onwards, he regularly composed new music, [2] especially chamber music, and studied harmony and violin from 1887 under Octave Grisard. In June 1888, his family moved to Paris where he began to study philosophy. [3]