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Tanjore Royal Palace. The work comprises four sections, between them consisting of five hundred and eighty-four poems, and belonged to the genre of śṛṅgāra-kāvya or śṛṅgāra-prabandham, [2] 'a genre associated in the history of Telugu literature with the Thanjavur era' whose poems were mostly inventive retellings of the story of Radha and Krishna, evoking the rāsa of Sringara. [3]
In Vidyapati's work, Radha is depicted as a young girl barely twelve years old, while Krishna is depicted slightly older than her and as an aggressive lover. In the work of poet Chandidas, Radha is depicted as a bold woman who is unafraid of social consequences. Radha abandons all social propriety in the name of her love for Krishna.
Radha Krishna, queen and king of Goloka. Goloka (Sanskrit: गोलोक) or Goloka Vrindavan (IAST: Goloka Vṛndāvana) is the celestial abode of the Hindu god Krishna and his chief consort Radha. [1] [2] In the Bhagavata Purana [3] and Garga Samhita, Krishna is portrayed as the highest person who resides in Goloka along with his consort ...
Garga-samhita contents # Khanda (Book) Number of chapters Content 1 Goloka-khanda: 20 Pastimes of Radha Krishna in Goloka, Structure of Goloka.: 2 Vrindavana-khanda: 26 Krishna's pastimes with Radha, Gopis and Gopas (cowherds); identifies various places (including Vrindavan) in the Mathura mandala (region) as the sites of these events.
Ashtasakhi with Radha Krishna at Sri Radha Rasbihari Ashtasakhi Temple, Vrindavan. Lalita: Out of eight prominent sakhi, Lalita is the foremost sakhi. She is the eldest gopi among Ashtasakhi and is 27 days older than Radha. She was born to her parents Visoka (father) and Saradi (mother) in Unchagaon, near Barsana. [6]
Jayadeva (pronounced [dʑɐjɐˈdeːʋɐ]; born c. 1170 CE), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda [2] which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. [3]
Radha Krishna, writing for Andhra Prabha on 11 November 1962, opined that Ghantasala's music was "uplifting" and praised the lyricists for their contribution. [8] Visalaandhra , in its review dated 11 November 1962, noted the songs "Idhe Rakta Sambandham", "Chanduruni Minchu" and "Bangaru Bomma Raaveme" as the finest among others in the film's ...
[2] [25] Radha and Krishna are presented as inseparable, and Radha is described as the energy and power (shakti) of Krishna. [ 25 ] The Purana presents an egalitarian view towards women, wherein it asserts ideas such as, "all female beings have come forth out of the divine female" in chapter 4.13, and that "every insult to a woman is an offence ...