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Completed in 1963, it personified his earlier modernist works, and one of the last physical embodiments of the Five Points of Modern Architecture. [6] Designed as a collaboration with Chilean architect, Guillermo Jullian de la Fuente, it was conceived to be the amalgamation of arts, a site where architecture would coalesce with visual arts and ...
By placing restrictions on the observer's movements, an architect can evoke a variety of emotions. For example, in Gothic architecture, an elongated nave suggests a forward movement towards the altar while the compressive effect of tall walls draws the gaze towards vaults and windows above, causing a feeling of release and "uplifting" experience.
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
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Visual Representation of the Concentric Zone Model as Proposed by Bugress (1925). Visual representation of Ullman and Harris' 1945 Multiple Nuclei Model. Morphology in architecture is the study of the evolution of form within the built environment. Often used in reference to a particular vernacular language of building, this concept describes ...
A logical graph is a special type of graph-theoretic structure in any one of several systems of graphical syntax that Charles Sanders Peirce developed for logic.. In his papers on qualitative logic, entitative graphs, and existential graphs, Peirce developed several versions of a graphical formalism, or a graph-theoretic formal language, designed to be interpreted for logic.
In architecture, the four-volume work The Nature of Order by Alexander summarizes his most recent results. An alternative architectural theory based on scientific laws, as for example A Theory of Architecture is now competing with purely aesthetic theories most common in architectural academia. This entire body of work can be seen as balancing ...
In a frequently cited paper in the journal Science [1] and a later book, [2] Eugene S. Ferguson, a mechanical engineer and historian of technology, claims that visual reasoning is a widely used tool used in creating technological artefacts. There is ample evidence that visual methods, particularly drawing, play a central role in creating artefacts.