Search results
Results from the WOW.Com Content Network
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. [1]
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The 1920 Wambsgans unassisted triple play lives on. For premium support please call: 800-290-4726 more ways to reach us
Examples include John Bull's Salvator Mundi, Bach's Canonic Variations on "Vom Himmel hoch da komm' ich her, Passacaglia and Fugue in C minor, Violin Chaconne, and (D minor solo violin suite), Corelli's La Folia Variations, Beethoven's Diabelli Variations, the Finales of his Third "Eroica" and Ninth "Choral" Symphonies, the Finale of Brahms's ...
In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected ...
Gwen Stefani may not have a singer in The Voice season 24 finale -- but she can't stop marveling at the season's talent."I feel sad and excited at the same time," Gwen told ET's Deidre Behar ahead ...
The notion of the descending fundamental line belongs to the final version of Schenkerian theory, from 1930 onwards; fundamental (or, better, "primal") lines in Schenker's earlier writings at times were ascending. The first note of the fundamental line is its primary tone. See also Schenkerian analysis: The fundamental line.