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He is the Taiqing (太清, lit. the Grand Pure One) which is one of the Three Pure Ones, the highest immortals of Taoism. Laozi is regarded to be a manifestation of Daode Tianzun who authored the classic Tao Te Ching. He is traditionally regarded as the founder of Taoism, intimately connected with "primordial" (or "original") Taoism.
Music has long played an integral part in religious ceremonies. In Taoist ceremonies, music has several different functions. Taoists believe that music is a way to speak to the gods, to inspire religious followers and to achieve inner harmony, bringing the listener or participant closer to Tao.
In some sects of Taoism, Chinese Buddhism, Confucianism, and Chinese folk religion, it is held that he then became an immortal hermit. [2] Certain Taoist devotees held that the Tao Te Ching was the avatar – embodied as a book – of the god Laojun, one of the Three Pure Ones of the Taoist pantheon, though few philosophers believe this. [3]
Schools of Taoist thought developed around each of these deities. Taoist Alchemy was a large part of these schools, as each of the Three Pure Ones represented one of the three essential fields of the body: jing, qi and shen. The congregation of all three Pure Ones resulted in the return to Tao. The first Pure One is universal or heavenly chi.
Bagua diagram from Zhao Huiqian's (趙撝謙) Liushu benyi (六書本義, c. 1370s).. The Daodejing (also known as the Laozi after its purported author, terminus ante quem 3rd-century BCE) has traditionally been seen as the central and founding Taoist text, though historically, it is only one of the many different influences on Taoist thought, and at times, a marginal one at that. [12]
The term Tao means "way", "path" or "principle", and can also be found in Chinese philosophies and religions other than Taoism. In Taoism, however, Tao denotes something that is both the source and the driving force behind everything that exists. It is ultimately ineffable: "The Tao that can be told is not the eternal Tao." [1] Also called Daoism.
Taoism perceives the Tao as a natural order underlying the substance and activity of the Universe. Language and the "naming" of the Tao is regarded negatively in Taoism; the Tao fundamentally exists and operates outside the realm of differentiation and linguistic constraints. [20] There is no single orthodox Taoist view of the Tao.
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...