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The consolatio literary tradition ("consolation" in English) is a broad literary genre encompassing various forms of consolatory speeches, essays, poems, and personal letters. consolatio works are united by their treatment of bereavement, by unique rhetorical structure and topoi, and by their use of universal themes to offer solace. [3]
Consolatio (Latin: [koːnsoːˈlaːtɪ.oː]; Consolation) is a lost philosophical work written by Marcus Tullius Cicero in the year 45 BC. The work had been written to soothe his grief after the death of his daughter, Tullia , which had occurred in February of the same year.
[16]: 8 The poetic form of elegy, for example, has been described as "a verbal presentation or staging of emotion, wherein the detached speaker engages the audience with the intent of achieving some form of cathartic consolation". [16]: 3 Examples of literary devices which may be used to provide consolation include prosopopoeia, wherein an ...
Seneca was most likely motivated to write this letter of consolation to Marcia in order to gain her favor; Marcia was the daughter of a prominent historian, Aulus Cremutius Cordus, and her family's enormous wealth and influence most likely inspired Seneca to write this letter of consolation. Through the essay he sticks to philosophical ...
The Old English Consolation texts are known from three medieval manuscripts/fragments and an early modern copy: [2]. Oxford, Bodleian Library, MS Bodley 180 (known as MS B). Produced at the end of the eleventh century or the beginning of the twelfth), translating the whole of the Consolation (prose and verse) into pro
A single example of a Classical romance has survived: a fragment of the story of Apollonius of Tyre was translated in the 11th century from the Gesta Romanorum. [71] [73] A monk who was writing in Old English at the same time as Ælfric and Wulfstan was Byrhtferth of Ramsey, whose book Handboc was a study of
It is a long poem, 206 lines in length (207 according to some sources), that is cited as a prominent example of the elegy form and of narrative poetry. [40] In its final form, published in 1881 and republished to the present, the poem is divided into sixteen sections referred to as cantos or strophes that range in length from 5 or 6 lines to as ...
Anthony describes a scrupulous conscience as the “daughter of pusillanimity” and advises those with scruples to seek another's counsel (XIV). Anthony continues by saying the desire to commit suicide is another example of ‘night’s fear’. Vincent objects and says that suicide is an example of courage and boldness.