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After returning from World War I, Pescheret began experimenting with etching striking his first plate in 1926. [6] He was admitted to the Chicago Society of Etchers in 1928. By the 1920s he was attending the Art Institute of Chicago, studying interior design under French artist and muralist Albert François Fleury [Wikidata]. [7]
Copper engraving: 183 × 119 mm: B63 The Deformed Landser Sow: 1494–1498: Copper engraving: 118 × 126 mm: B95 The Prodigal Son: 1494–1498: Copper engraving: 247 × 191 mm: B28 The Small Fortune: 1495–1496: Copper engraving: 120 × 66 mm: B78 The Small Courier: 1496: Copper engraving: 110 × 78 mm: B80 A Cook and his Wife: 1496: Copper ...
As a man he trained under his grandfather, Thiry de Bry the Elder (died 1528), and under his father, Thiry de Bry the Younger (1495–1590), who were jewellers and engravers, engraving copper plates. The art of copper plate engraving was the technology required at that time for printing images and drawings as part of books.
Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar ...
Yozo Hamaguchi. Yozo Hamaguchi (April 5, 1909 - December 25, 2000) was a Japanese copper printmaker who specialized in mezzotint and was responsible for its resurgence as a printmaking medium in the mid-20th century. [1] Hamaguchi's prints are distinguished for their careful attention to detail of boldly hued animals and objects contrasted ...
Daniel Hopfer. Daniel Hopfer (c. 1470 – 1536) was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the 15th century. [1] He also worked in woodcut.
During his lifetime he issued a portfolio of seven plates, and in 1875 David Laing catalogued and published the complete series of his etchings and dry-points, supplying the place of a few copper-plates that had been lost by reproductions, in his Etchings of David Wilkie and Andrew Geddes.
Albrecht Dürer (/ ˈdjʊərər /; [1] German: [ˈʔalbʁɛçt ˈdyːʁɐ]; [2][3][1] 21 May 1471 – 6 April 1528), [4] sometimes spelled in English as Durer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high ...
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