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Grete Prytz Kittelsen (born Adelgunde Margrethe Prytz, June 28, 1917, Oslo, died September 25, 2010, Oslo), was a Norwegian goldsmith, enamel artist, and designer.She is one of the most well-known Norwegians in the Scandinavian Design movement, [1] and has been referred to as the "Queen of Scandinavian Design". [2]
Enamel was sometimes used in the same style, often as a cheaper substitute for the stones. In the Insular art of the British Isles the preferred shape was the penannular brooch, and exceptionally large and elaborate examples like the Tara Brooch and Hunterston Brooch were worn by both secular elites and the clergy (at least on liturgical ...
The thistle brooch is a simpler version of the penannular brooch, with less surface decoration, which gained popularity around 1100. The thistle is the national flower of Scotland and acts as an emblem. Today, thistle brooches are often made of silver and contain a thistle motif, and are not necessarily a penannular brooch. [citation needed]
Wing Brooch, 2nd century AD, Metropolitan Museum of Art. A brooch (/ ˈ b r oʊ tʃ /, also US: / ˈ b r uː tʃ / [1]) is a decorative jewellery item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material.
The middle of the fifth century marked the beginning of Anglo-Saxon England. [1] The Anglo-Saxon era consists of three different time periods: The early Anglo-Saxon era, which spans the mid-fifth to the beginning of the seventh century; the middle Anglo-Saxon era, which covers the seventh through the ninth centuries; and the late Anglo-Saxon era, which includes the tenth and eleventh centuries.
There are rare exceptions in which a highly decorated brooch shows Scandinavian stylistic and technical influence, notably an Irish brooch from Rathlin Island, with areas stamped where the Irish tradition would have used casting. [51] The brooches appear to have been made by "native" metalworkers, but worn by both Vikings and Gaels. [52]
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