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The word "fop" is first recorded in 1440 and for several centuries just meant a fool of any kind; the Oxford English Dictionary notes first use with the meaning of "one who is foolishly attentive to and vain of his appearance, dress, or manners; a dandy, an exquisite" in 1672. [2]
Examples: Idiot savant: A person with extraordinary genius in a narrow area who has a social or developmental disability, often consistent with being somewhere on the autism spectrum. Forrest Gump (Forrest Gump) Raymond "Rain Man" Babbitt Shaun Murphy (The Good Doctor) Abed Nadir: Igor: The assistant to the mad scientist.
The dandy creates his own unity by aesthetic means. But it is an aesthetic of negation. To live and die before a mirror: that, according to Baudelaire, was the dandy's slogan. It is indeed a coherent slogan. The dandy is, by occupation, always in opposition [to society]. He can only exist by defiance …
A Friendly's "Jim Dandy" sundae is meant to be shared, and no wonder: It contains five scoops of ice cream, a split banana, pineapple topping, hot fudge, marshmallow sauce, walnuts, and sprinkles.
Dude is American slang for an individual, typically male. [1] From the 1870s to the 1960s, dude primarily meant a male person who dressed in an extremely fashionable manner (a dandy) or a conspicuous citified person who was visiting a rural location, a "city slicker".
For example, a story with the stock characters of a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types.
After much deliberation, the College Football Playoff committee chose SMU over Alabama for the final spot in the 12-team field. See the full schedule.
David Harvey asserts that "Baudelaire would be torn the rest of his life between the stances of flâneur and dandy, a disengaged and cynical voyeur on the one hand, and man of the people who enters into the life of his subjects with passion on the other". [22] The observer–participant dialectic is evidenced in part by the dandy culture ...