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The major pentatonic scale may be thought of as a gapped or incomplete major scale, using scale tones 1, 2, 3, 5, and 6 of the major scale. [1] One construction takes five consecutive pitches from the circle of fifths ; [ 8 ] starting on C, these are C, G, D, A, and E. Rearranging the pitches to fit into one octave creates the major pentatonic ...
The open G tuning variant G–G–D–G–B–D was used by Joni Mitchell for "Electricity", "For the Roses" and "Hunter (The Good Samaritan)". [36] Truncating this tuning to G–D–G–B–D for his five-string guitar, Keith Richards uses this overtones-tuning on the Rolling Stones 's " Honky Tonk Women ", " Brown Sugar " and " Start Me Up ".
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The distinct open-notes {C,G,D,A,E} are the notes of the major pentatonic scale on C, which contains only consonant intervals. The C-pentatonic scale omits the open B of standard tuning and all-fifths tuning, which forms a dissonant second-interval with C.
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
The Ionian mode corresponds to the major scale. Scales in the Lydian mode are major scales with an augmented fourth. The Mixolydian mode corresponds to the major scale with a minor seventh. The Aeolian mode is identical to the natural minor scale. The Dorian mode corresponds to the natural minor scale with a major sixth.
In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to scale degrees; specifically, the scale degree number used for the bass note is that of the note's position in the ...