Search results
Results from the WOW.Com Content Network
The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval and Early Modern Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
Venice, Teatro Santi Giovanni e Paolo: music lost, doubtful La Torilda: Pietro Paolo Bissari: 1648: Venice, Teatro Santi Giovanni e Paolo: music lost, doubtful Il Giasone: Giacinto Andrea Cicognini: 5 January 1649: Venice, Teatro San Cassiano L'Euripo: Giovanni Faustini: 1649: Venice, Teatro San Moise: music lost L'Orimonte: Nicolò Minato: 20 ...
Renaissance Music. New York: W. W. Norton & Company. ISBN 0-393-97169-4. Crocker, Richard L (1966). A History of Musical Style. New York: McGraw-Hill. ISBN 0-486-25029-6. Gallo, Alberto (1995). Music in the Castle: Troubadours, Books and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries. Chicago: University of ...
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous.
City officials in Venice, Italy, have committed to a 30-day experiment in which visitors will be charged a 5 euro entrance fee on peak days. ... The introduction of an entrance fee comes five ...
The "Carnival of Venice" is based on a Neapolitan folk tune called "O Mamma, Mamma Cara" [1] and popularized by violinist and composer Niccolò Paganini, who wrote twenty variations on the original tune. He titled it "Il Carnevale Di Venezia," Op. 10.
In addition to providing music at the Basilica, the choir and instrumentalists of the cappella performed important functions in the Venetian calendar of feasts. [ 1 ] Many of the works of the maestri di cappella are preserved in illuminated choir books [ 2 ] at the Archivio di Stato di Venezia (ASV), the Biblioteca del Civico Museo Correr and ...