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The Aphrodite Anadyomene went unnoticed for centuries, [265] but Pliny the Elder records that, in his own time, it was regarded as Apelles's most famous work. [265] During the Hellenistic and Roman periods, statues depicting Aphrodite proliferated; [277] many of these statues were modeled at least to some extent on Praxiteles's Aphrodite of ...
Anteros, god of requited love. Eros, god of love and procreation; originally a deity unconnected to Aphrodite, he was later made into her son, possibly with Ares as his father; this version of him was imported to Rome, where he came known as Cupid. Himeros, god of sexual desire and unrequited love. Hedylogos, god of sweet talk and flattery ...
'Love, Desire') is the Greek god of love and sex. His Roman counterpart is Cupid ('desire'). [4] In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods.
The Erotes are a group of winged gods in Classical mythology. They are associated with love and sexual desire, and form part of Aphrodite's retinue. The individual Erotes are sometimes linked to particular aspects of love, and are often associated with same-sex desire. [6] Sometimes the Erotes are regarded as manifestations of a singular god, Eros.
Aphrodite's winged little son Eros, the god of romantic love, is similarly trying to assist his mother fight off her assaulter by grasping Pan's right horn and pushing him away. [ 1 ] [ 3 ] Pan leans on a tree trunk (the statue's marble support) covered with animal's skin, and has left his hunting stick at the foot of the trunk. [ 1 ]
The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure ...
In the classical world, erotic love was generally described as a kind of madness or theia mania ("madness from the gods"). [5] This erotic love was described through an elaborate metaphoric and mythological schema involving "love's arrows" or "love darts", the source of which was often the personified figure of Eros (or his Latin counterpart, Cupid), [6] or another deity (such as Rumor). [7]
The phrase interpretatio romana was first used by the Imperial-era historian Tacitus in the Germania. [6] Tacitus reports that in a sacred grove of the Nahanarvali, "a priest adorned as a woman presides, but they commemorate gods who in Roman terms (interpretatione romana) are Castor and Pollux" when identifying the divine Alcis. [7]