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Antiquitates rerum humanarum et divinarum (Antiquities of Human and Divine Things) [1] was one of the chief works of Marcus Terentius Varro (1st century BC). The work has been lost, but having been substantially quoted by Augustine in his De Civitate Dei (published AD 426) its contents can be reconstructed in parts.
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Etruscan sculptures in the Louvre (1 P) Pages in category "Greek, Etruscan and Roman antiquities in the Louvre" The following 11 pages are in this category, out of 11 total.
The "Borghese Hermaphrodite" was later sold to the occupying French and was moved to The Louvre, where it is on display. The Sleeping Hermaphrodite has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (working c. 155 BC); [ 1 ] the original bronze was mentioned ...
A nomological notion of human nature – "Human nature is the set of properties that humans tend to possess as a result of the evolution of their species." [ 95 ] Machery clarifies that, to count as being "a result of evolution", a property must have an ultimate explanation in Ernst Mayr 's sense.
Roman portraiture is characterized by its "warts and all" realism; bust of Lucius Caecilius Iucundus, a cast from the original in bronze, found in Pompeii, now in the Naples National Archaeological Museum. Roman portraiture was one of the most significant periods in the development of portrait art. The surviving portraits of individuals are ...
The sculpture department consists of works created before 1850 not belonging in the Etruscan, Greek, and Roman department. [95] The Louvre has been a repository of sculpted material since its time as a palace; however, only ancient architecture was displayed until 1824, except for Michelangelo's Dying Slave and Rebellious Slave.
In 1815, after the defeat of Napoleon, the statue of the Nile was returned to the Vatican. However, the statue of the Tiber was offered by the pope Pius VII to the French king Louis XVIII and remained in the Louvre. The image of the statue of the Tiber was widely circulated and it became the subject of numerous marble or bronze replicas.