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The cross, facing toward the sun, reaches the highest point in the picture but is presented obliquely and from a distance. The pictorial space is almost two-dimensional, and by lacking any foreground element, the scene feels distant from the viewer and at a great height. The light from behind the cross darkens the part of the mountain that we see.
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
To capture this scene, I used a super wide-angle lens. I held the camera with live view mode to enhance the visual extension effect and capture the full, sweeping view overhead." Image credits ...
The work depicts a panoramic view of a romantic landscape of plains with mountains in the background. A solitary oak tree dominates the foreground. An ancient oak stands at the centre of the painting, clearly damaged but still standing. The tree's branches, dark in silhouette, project into the largely overcast morning sky.
Landscape with scene from the Odyssey, Rome, c. 60–40 BCE. Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape ...
The amber glow of the fading light of sunset bathes the mountain in the center-right of the composition. Wild forests envelop the scene, providing a counterpoint to the orderly farmlands visible in a clearing in the middleground—a rare glimpse of human presence. Nature's untamed expanse contrasts with the geometric patterns of cultivated land.
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