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Polygondwanaland (/ ˈ p ɒ l i ɡ ɒ n d ˌ w ɑː n ə l æ n d /) is the twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard.The album was released under a BY-ND Creative Commons license [1] —the band uploaded the master tapes online for anyone to freely use. [2]
A day later, the band officially released a music video for the title track on YouTube. [75] Later that month, the band released another single from the album, "Boogieman Sam", [76] and on 24 April, the band dropped a final single, "The Bird Song". Two days later, the album was released. [77]
The Book 2017 Sketches of Brunswick East [5] 5:00 Stu Mackenzie: The Castle in the Air 2017 Polygondwanaland [22] 2:48 Joey Walker, Stu Mackenzie: The Cruel Millennial 2019 Fishing for Fishies [8] 4:56 Ambrose Kenny-Smith, Stu Mackenzie: The Dripping Tap: 2022 Omnium Gatherum [11] 18:17 Ambrose Kenny-Smith, Stu Mackenzie: The Floating Fire 2017
King Gizzard will return to North America on Aug. 15 in Washington, D.C., for visits to the largest venues they’ve played in the country to date, including Los Angeles’ 18,000-capacity Kia ...
The album was preceded by four singles, the first three ("Honey", [3] "Some of Us" [4] and "Straws in the Wind" [5]) were released alongside music videos uploaded to YouTube. K.G. is a sonic "sequel" to Flying Microtonal Banana, which was subtitled "Explorations into Microtonal Tuning, Volume 1" and also a direct predecessor to L.W.. [6]
King Gizzard & the Lizard Wizard are expanding their innovative Bootlegger program to include free, multi-track recordings from every show on their ongoing summer/fall North American tour. Fans ...
King Gizzard & the Lizard Wizard is in their dad rock era — and not just because most of the band members now have kids. Following their highly technical heavy metal concept album released last ...
"Rattlesnake" is a song by Australian rock band King Gizzard & the Lizard Wizard released in 2016 as the lead single from their ninth studio album, Flying Microtonal Banana. The song is notably the band's first full foray into microtonal music, which was previously only briefly utilized on "Robot Stop" from Nonagon Infinity.