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  2. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    The following is a list of commonly used chord progressions in music ... IV-V-I-VI chord progression in C major: 4: ... Two common tones, two note moves by half step ...

  3. Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/Pachelbel's_Canon

    Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel.The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo.

  4. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression may also have more than three notes, such as in the case of a seventh chord (V 7 is particularly common, as it resolves to I) or an extended chord.

  5. List of variations on Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/List_of_variations_on...

    Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.

  6. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root.

  7. D major - Wikipedia

    en.wikipedia.org/wiki/D_major

    In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and

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