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Cinema 1: The Movement Image (French: Cinéma 1. L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2.
In the first chapter of Cinema 2, Deleuze picks up where he left off in Cinema 1 to discuss how the time-image is born from a crisis of the movement-image. Thus, instead of what Deleuze had described as perception-images, affection-images, action-images, and mental images (all types of movement-image), there are now "opsigns" and "sondsigns ...
Deleuze's unusual metaphysics entails an equally atypical epistemology, or what he calls a transformation of "the image of thought". According to Deleuze, the traditional image of thought, found in philosophers such as Aristotle, René Descartes, and Edmund Husserl, misconceives thinking as a mostly unproblematic business. Truth may be hard to ...
Pages in category "Works by Gilles Deleuze" ... Cinema 1: The Movement Image; Cinema 2: The Time-Image; D. Dialogues (Deleuze book)
Gilles Deleuze was profoundly influenced by Bergson's theory of duration, particularly in his work Cinema 1: The Movement Image in which he described cinema as providing people with continuity of movement (duration) rather than still images strewn together. [13]
Plane of immanence (French: plan d'immanence) is a founding concept in the metaphysics or ontology of French philosopher Gilles Deleuze.. Immanence, meaning residing or becoming within, generally offers a relative opposition to transcendence, that which extends beyond or outside.
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Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a "line of flight", but deterritorialization also "constitutes and extends" the territory itself.